A. semu tutti devoti tutti?

anno 2009 durata 75'
AWARDED WITH THE DANZA&DANZA 2009 PRIZE BEST ITALIAN PRODUCTION


10 year from its première, on 6-10 February 2019 the production will be taken back in repertory for the project Anthology by Roberto Zappalà
in coproduction with Teatro Stabile of Catania

3rd step prom the project “re-mapping sicily”
Choreography and direction : Roberto Zappalà
Original music (live played): Puccio Castrogiovanni (I Lautari)
Carmen Consoli listens, approves and then fuddles the strings of her guitar
Dramaturgy: Nello Calabrò and Roberto Zappalà
Set and light design Roberto Zappalà
Costumes : Marella Ferrera and Roberto Zappalà
Text : Nello Calabrò
Choregraphic assistant : Wei Meng Poon
Marella Ferrera’s assistant: Valeria Di Maria
Realization of set and costumes and assistant: Debora Privitera
Photos: Gianmaria Musarra
Dancers: Adriano Coletta, Alain El Sakhawi, Akos Dòzsa, Samantha Franchini, Salvatore Romania, Fernando Roldan Ferrer, Antoine Roux-Briffaud,
Massimo Trombetta
Musicians: Salvo Dub, bass | Puccio Castrogiovanni, strings, jew’s harps and accordion | Salvo Farruggio, percussions | Peppe Nicotra, guitars
Video : Direction Nello Calabrò and Roberto Zappalà / performer Carmen Consoli
Special thanks to the City of Catania – Assessorato Sport, Turismo e Tempo Libero for the kind permission to use the Stadio Massimino’s spaces.
a coproduction by compagnia zappalà danza – Teatro Massimo Bellini di Catania – Scenario Pubblico – steptext dance project (ger)
in collaboration with Teatro Stabile di Catania
Worldpremière: 23 january 2009 Scenario Pubblico, Catania. For TE.ST Teatro Stabile Catania
The company is supported by Ministero per i Beni e le Attività Culturali
To imagine, conceive and create a performance on Saint Agatha and its huge procession and celebration in Catania (among the largest in the Christian-Catholic world) is to suggest an identification between the saint and the city/its people; Catania being a place where this connection is inextricable present. It shows also the desire to deeply analyse a fundamental aspect of today’s world, the relationship with the sacred, religion and religiousness. Saint Agatha – a saint whose devotional image bordering eroticism and sadism (the pincers, the mangled breasts) is universally known in the catholic world – is a ‘mere’ starting point. A traditional iconography is married with the modern, the contemporaneity, to originate contrasts and shortcuts; the archaic and contemporary setting of the religious celebration shows the contradictions of a world where Saint Agatha’s martyrdom symbolises a more universal martyrdom of human types and ideals.
While the performance has no ambition nor ability to “investigate all aspects…all angles…, from all perspectives” – like Aleph in Borges’ homonymous novel – it nonetheless aims to show whom we are, were and risk to become. The starting point is the mythological and historic figure of Saint Agatha, its religious and popular celebration, where fiction and devotion, love and fury, redemption and exploitation coexist and in which the individual blissfully looses itself in the mass.
Its mission: A. arises from the deeply felt need to deal with a series of crucial aspects of what living in a community and being part of it means; to investigate and eviscerate the feeling of belonging that a secularised and media-obsessed society expresses towards god, religion and the transcendental. This relationship is revealed in two opposite and complementary aspects; a private and a public one. Two faces of the same coin revealing a deep ambiguity hard to clarify. The believer (Sicilian or not) is doomed to the paradox of publicly showing its mystical fervour and devotion as the only way to show its religious belief. In doing this, however, there is the risk of misrepresent or deny that very own belief. Re-mapping Sicily – a personal re-reading of Sicily through Zappalà’s unique artistic vocabulary – fails not to leave out popular belief, an aspect that permeates Sicily and Italy itself, becoming the key to understanding nearly everything; a series of actions that take on and summarise all the aspects of being part of a society.