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  In Virus (1st part of the work) the dancer interprets the world, transforming herself in images and sounds, to get bigger and expand. In Antivirus she uses the body as a lonely presence and she shows how it can evolve in the world without the help of any technology. A full weighted body, in…

25 September 2012

 From 1991 to 1999 he works for the Stephen Petronio Company of which is currently assistant. As a dancer he also collaborates with Neil Greenberg, Molissa Fenley, Kevin Wynn, Michael Clark and Maria Hassabi. He teaches dance and yoga as a guest artist for several companies and schools throughout Europe such as ROSAS and PARTS(Brussels),…

Michal Mualem: Since 2001 she is member of the Sasha Waltz company, where she is both dancer and teacher. During these years she also studies and collaborates with other choreographers such as David Zambrano, Meg Stuart, Benoit Lachambre, Ted Stoffer and Kristie Simpson. In 2004 she begins her collaboration with Giannalberto De Filippis; combining their…

 Augusto Jaramillo Pineda commits himself to the changing figure of the mystic rebel. In his play, he opens step by step different spaces of detection of vague ominous atmosphere, dances the sensuality of Satan, discovers the secret of the angel, gives to the wrath of the devil an actual shape and the curiosity of the…

 The secret voice of the body winds off like a red thread in the weft of a never-starting and never-ending story. An unclosed circle. An eulogy of incompleteness of the only possible delivery. It is a solo quartet, an open circle, an instantaneous space mapping, sometimes scientific, sometimes casual, which uses the circle and the…

  An introspective journey through the automatisms of disposition and opposition to contact. Up-elle is a first and immediate, changeable skin perception, which derives from the un-knowledge and brings back to the origins of the senses. Coinciding and opposite, one the consequence of the other, in solicitations and installations of enchanting, dreamy visions taste.  …

compagnia abbondanza/bertoni

compagnia abbondanza/bertoni

Michele Abbondanza and Antonella Bertoni. Following their experience in the Alwin Nikolais school in New York, their studies with Domonique Dupuy and poetic improvisations by Carolyn Carlson in France and their study and practice of Zen, Michele Abbondanza (co-founder of the Sosta Palmizi group and teacher at the “Piccolo di Milano” Drama school) and Antonella…

 The main topic of the work carried out with the dancers is the idea of the memory, memory inborn in our body spaces, in the parts which preserve recollections of events, situations, emotions. We can find these memories, we can touch, open, look, sometimes we can live them again. They move and make us move,…

  Spiegel means "mirror" both in Flamish and in German. It is a narcissistic thread which shows the importance of the show, made up of a series of performances starting from 1986. Spiegel could be more than a mirror, a rear-view mirror in which images from the past suddenly appear and disappear as blinding flashes….

  He is considered one of the historical founders of Italian dance-theatre; with Antonella Bertoni has created Abbondanza/Bertoni company one of the most important and productive Italian dance company. He teaches at Teatro Giorgio Streheler directed by Luca Ronconi. (Piccolo Teatro di Milano) and holds several workshops in Italy (Accademia del Teatro alla Scala, Accademia…

 He works with different companies in Spain (the national ballet in Madrid, Bocanada), France ( Mathilde Monnier) and New York. He makes his own choreographies before joining Ultima Vez. From 1994 till 1997, Iñaki participates in the creation and performance of several Ultima Vez productions. He regularly teaches in different dance companies in Brussels and…